Third Coast Percussion final show for Friends of Chamber Music season. Michael Kirsty The Friends of Chamber Music is wrapping up its season by presenting another quartet – but hold-on before you go ...

This is the second in a series of profiles of Northwestern Alumni nominated at the 62nd Annual Grammy Awards. When Third Coast Percussion receives a Grammy nomination, the first person Peter Martin ...

The style of electronic music and dance known as footwork might appear a strange bedfellow to classical music, but the Grammy-winning group Third Coast Percussion embraces the fleet-footed sound on ...

GRAMMY Award-winning Third Coast Percussion will release its 20th anniversary full-length album, Standard Stoppages. The recording explores the passage of time, both through the eyes of percussionists ...

The GRAMMY-nominated group Sandbox Percussion, the first percussion ensemble to receive an Avery Fisher Career Grant, has revealed its 15th season, highlighting the group's collaborations with some of ...

On Thursday, the orchestra will perform a final work from Montgomery — the grace note on her wildly prolific three-year run as the city’s adopted new-music superstar. The composer Jessie Montgomery is ...

Clockwise from left: Philip Glass and Third Coast Percussion members Peter Martin, David Skidmore, Sean Connors, and Robert Dillon Credit: Rebekka Federle Philip Glass arrives in town this Friday to ...

For two centuries, the coal industry formed the backbone of the northeast coast of England and supported entire communities. Fueled by the Industrial Revolution, generation after generation slaved in ...

They began by playing DIY concerts in their native Chicago. They have performed on four continents, snagged two Grammys (plus a third nomination), made 13 albums, and have broken down genre barriers ...

Richard Albagli with UAlbany Percussion Ensemble member. Richard Albagli directing the UAlbany Percussion Ensemble. The pounding and rattling sound of a percussion ensemble probably isn’t what comes ...

Combining acoustic instruments with electronics is a dark art, and tantalisingly few details about the process are revealed in the sleeve notes to violinist Olivia De Prato’s recital disc. Are the ...