Perhaps the most famous Brutalist building in the United States is the J. Edgar Hoover Building. Brutalist architecture is characterized by raw concrete walls, imposing geometrism and repetition, ...

Brutalism has a bad name. That may be, in part, because it is a bad name. This polarizing architectural style of the 1950s and '60s is the subject of the the film "The Brutalist," nominated for 10 ...

"The Brutalist," an epic drama loosely inspired by the life and work of architect Marcel Breuer, is one of the favorites for the Oscars. But the film has drawn scorn from design experts, who accuse it ...

Since its conception, Brutalism has been one of the most polarizing architecture styles among critics and amateurs alike. It’s not often you see the style as you walk down the street unless you live ...

László Toth, a Hungarian Jewish architect and Holocaust survivor, emigrates to the United States after World War II in search of a new life. After a rough start, a wealthy businessman recognizes his ...

The Brutalist, which has been nominated for 10 Oscars, tells the story of a Hungarian-born Jewish architect who escapes the Holocaust to flee to the United States where he strikes up an uneasy ...

In spite of the extraordinary runtime of Brady Corbet’s The Brutalist (a three and a half hour epic that includes an intermission), the film has been making quite the buzz during the 2025 awards ...

CHICAGO — “There’s no place for originality in architecture! Nobody can improve on the buildings of the past!” Those are the second and third lines spoken in the 1949 film version of Ayn Rand’s “The ...

Editor’s note: This article, distributed by The Associated Press, was originally published on The Conversation website. The Conversation is an independent and nonprofit source of news, analysis and ...

Saint John's Abbey Church in Collegeville, Minnesota is an example of Brutalist architecture, and the inspiration for the architecture seen in 'The Brutalist' The original Liberty Savings and Loan ...

Those are the second and third lines spoken in the 1949 film version of Ayn Rand’s “The Fountainhead,” adapted by Rand, contractually protected from studio meddling, from her 1943 bestseller about the ...