The future of cinema looks pretty exciting when you think about how the horror genre is really thriving with old classic films. The new trend is remakes, which isn’t a bad thing, but the most interesting part is how they’re using this to bring new life to old,

A t the risk of sounding unintentionally patronizing, Leigh Whannell’s Wolf Man gets an “A” for effort. You can see the same mind at work that took the story of The Invisibl

Leigh Whannell tempers the scares in Wolf Man, but ups the family melodrama, offering a tragedy in the classic Universal Monster tradition.

Wolf Man is tense and fun in the moment, but it lacks the thematic clarity necessary to leave a strong impression after the credits roll.

And now Whannell is back with another standalone revival of a classic Universal Monster in Wolf Man. At one stage, it had Ryan Gosling starring and Derek Cianfrance directing, but it now arrives in cinemas with Whannell at the helm and Christopher Abbott in the lead role.

Leigh Whannell did a brilliant job of modernizing "The Invisible Man," but werewolves prove much harder to tame.