For instance, what, in the United States in 2010, made a then-unknown 19-year-old Jennifer Lawrence so riveting in Winter’s Bone, the film that vaulted her—now the highest paid actress in ...
The results are now in for our 2025 poll of Film Comment’s contributors! On this page, you’ll find our list of the 20 best films that were released either theatrically or virtually in 2025 in the ...
Premised on illusion and promising endless reanimation, cinema is often called the ghostliest of mediums. Ghosts are themselves cinematic in essence, automatic disruptions in space and time. Movies ...
The results are in for our 2024 poll of Film Comment's contributors and colleagues! On this page you’ll find a selection of the individual ballots submitted by our voters for the Best Films of 2024 ...
The restoration of Come and See (1985), Elem Klimov’s unblinking depiction of Nazi armies wreaking carnage on Soviet Belorussia in 1943, enables us to view this disturbing, mesmerizing epic with fresh ...
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Taxi Driver has a lot of negative aspects, but it would be silly to shrug off its baroque visuals and its high-class actor, Robert De Niro, whose acting range is always underscored by a personal ...
This interview begins a series with influential cinematographers who attended the 2016 Camerimage International Film Festival of the Art of Cinematography in Bydgoszcz, Poland, in November. Woody told ...
It’s difficult to overlook the quiet impact Bulle Ogier can have on movies big and small, and more difficult still to account fully for the actress’s influence and output, evidenced in recent and ...
Familiarity breeds affection between an out-of-control 13-year-old Maori boy and a crusty old white bush hand—and between the movie and the audience—in Taika Waititi’s Hunt for the Wilderpeople, a ...
Stanley Kubrick's 2001: A Space Odyssey comprises two markedly different cinematic styles. The first, established early in the film as our species rises from starvation to civilization, is ...
This article appeared in the April 19, 2024 edition of The Film Comment Letter, our free weekly newsletter featuring original film criticism and writing. Sign up for the Letter here. Phillip Vance ...