Northern Ballet’s new production of Gentleman Jack demonstrates the company’s continuing commitment to narrative ballet while also expanding the boundaries of the genre’s subject matter. Choreographed ...

Cynicism dominates Neil LaBute’s three short plays in Chapter One of the three-chapter cycle of America the Beautiful, being staged between the King’s Head and Greenwich Theatre. Each character is ...

Across the Square imagines Lady Ottoline Morrell paying a visit to her neighbour, Millicent Fawcett, in December 1917. It’s ...

Mark Babych, Hull Truck's Artistic Director and former Artistic Director of the Octagon, has returned to Bolton with his ...

Five members of the Wardrobe Ensemble have been cast in the première of the company’s latest play Party Season, which will be ...

While this state of affairs might seem irretrievably gloomy, there are also good news stories to remind us that theatre as an art form is loved around the world, even if there seems to be an even ...

Fact, fiction and fantasy blend together in a surreal fever dream—both in Queen Elizabeth’s last days looking back and Scottish Ballet’s creative team’s conceptualised evocation, which won Best ...

In this instance, the story revolves around an invitation to a country house and the offer of a lucrative paycheque for an actor who can pretend to be a ghost. A simple enough premise, but one that ...

The Wrong They Knew opens with a mystery. The stage is arranged like a court with a robed judge sitting slightly above the other performers and an empty witness box front of stage. A spokesperson for ...

Front: Susan Earnshaw, Anna Mitcham and Karen Henson in the 2019 production of Anybody for Murder Angie Smith and Sarah Wynne Kordas in the 2018 production of The Nightmare Room A comedy thriller, an ...

James Graham’s play Punch, which was commissioned by Nottingham Playhouse, has received four Olivier Award nominations for its run in the West End.

David Rosenberg, the owner of a kosher catering firm, wants to be a pillar of his community. In the opening scene of Ryan Craig’s 2011 play set in 2009, we hear he has literally built a couple of ...