Angus Batey carefully places Death Certificate, one of hip hop's most offensive offerings, in the context of its 1991 release ...

Melting Pillar of Snow is a dense exploration of time and decay that feels more like a static monument than a living listening experience ...

Across a career that now spans more than two decades, Andy Stott’s name has become synonymous with a style of electronic ...

The festival of leftfield electronic music is back for a second year, featuring live performances by Nik Colk Void, Sculpture ...

Throwing Muses’ self-titled debut album is being reissued to mark its 40th anniversary. The album has been out-of-print for ...

I’ve not yet jumped on the discourse bandwagon about 300SkullsAndCounting & Jenny Sparks, debates over whether its treatment of millennial aesthetics is an act of hackneyed recycling or innovative ...

If Marr doth protest too much, then on his latest album The Age Of Everything, he appears to be reclaiming his Smiths legacy ...

The Flaming Lips have a new album on the way, titled The Teardrop Throbs. Featuring 13 tracks, the record marks the band’s first release for Jack White’s label, Third Man Records. It’s the band’s ...

Alastair Shuttleworth talks to Irish experimental musician Jennifer Walshe in order to offer ten points of entry to her back ...

Based on transcriptions direct from tapes found at a jumble sale, the latest from Oliver Leith may be the ideal entry point ...